Candy-man-Can-Shop-拍摄手记-CCN传媒(中国影像传媒)


	Candy-man-Can-Shop Candy-men, in their color relationships. It makes no difference whether color is presented as dependent upon another color or as independent yet in creative relationship with other colors. Candy taste is still candy. Candy colors assumed to be in dependent scientifically exact relationship are subjectively indifferent and irrelevant. Candy colors brought together in an ingenious clash as display – they seem to articulate the expressive urgency of the subject – must be eaten – as such ,they sidestep easy aesthetic characterization as candy creates a basic act of contrast colors as rhythmic essence. The candy leaves the shop as purist, abstract, non-objective object of art – shows return as record of everyday – art made – art eaten, and is repainted – restored – redisplayed – into new candy art works in the same old way over again until it is just – right – again. Candy art as repetition, symmetry unity sort of higher surreal or mystic overtone. Candy art display articulates “chaos, confusion, individual viewer anguish, terror, horror – example viewer stresses “eat this art – my teeth rot – will grow fat – but where to I start?” Sense of passage is of perceptual essence, as you say – are moved only by candy color relationships, then you miss the art point. [返回]